Ann-Kathrin Eickhoff und Elisa R. Linn
Elisa R. Linn (Elisa Linn Roguszczak) is a writer, exhibition maker, and educator from Prenzlauer Berg based in Berlin. In her practice, she is concerned with politics of self-organization, representation and collectivity. She studied sociology, art history, visual culture and film studies as well as curatorial studies and is a graduate of the Whitney Independent Study Curatorial Program. Linn is doing her PhD in philosophy with Marina Gržinić at AdbK Vienna and has held the interim professorship of the chair of Art Theory and Mediation (Prof. Dr. Kerstin Stakemeier) at the Academy of Fine Arts Nuremberg for the summer semester 2022. In her research, she examines the impact of borders and “border thinking” on marginalized groups and how strategies of self-organization from below can dismantle them. Since August 2022 she is the Co-Director of the Halle für Kunst Lüneburg e.V. and teaches at the Leuphana University.
Linn has worked with The Kitchen, South London Gallery, The Whitney Museum of American Art, The Bronx Museum of the Arts and the National Gallery Prague among others. She has contributed to publications and magazines such as Frieze, Starship, artforum, Texte zur Kunst, BOMB, and Jacobin. Since 2012, with architect Lennart Wolff, she has been jointly running the curatorial and artists project km temporaer.
curator and author
lives and works in Berlin and New York
graduate of Whitney Indepen- dent Study Curatorial Program her texts are published in pu- blications and magazines such as Texte zur Kunst, Artforum and Frieze
co-founder of KM TEMPORAER
communicating and sharing the experiences of visionary phenomenon of being clair- voyant while dancing an erotic dance pole stirs the senses and creates visceral visions without boundaries or descriptive cultural conditions. the idea of sleep is a conduit to that world without effort. or is it? the physical body engaging in the psychic in the every- day through all our senses and the third eye of imagination is the most expansive cre- ative act, it is a leaping off point of imagination for me and the participant. the projects i create are interactive explorations into and hopefully breaking out of our cultural and family conditions and delivering us into a space/place of authentic construct, inter- rupting paradigms that withhold and detour like the labels and instructions of what an object is suppose to mean but truly is a complete stranger to the freedom the viewer engages in without reading it.
I like your hot temperature.
It makes ⎜Thank You!⎟ my internet melt.
I like your hot temperature.
It makes ⎜Thank You!⎟ WE are teenager.
I like your hot temperature.
It makes ⎜Thank You!⎟ MANY.
I like your hot temperature.
No, don't say anything now.
(Auszug aus 'Corals')
“Sex,” writes German artist and poet Natalie Häusler in her book-length poem 'Corals' “is the ecology of the poem.” Or put differently, a poem can only exist in the relationships between bodies – in the eroticism of being-together that is continually formed and transformed through language. For 'Corals', Häusler continues her investigations into the relationships between visual-art practice and the poem as a lived phenomena. Using a combination of sound, painting, sculpture and text, 'Corals' proposes an environment in which Häusler's homonymous poem can live.
(Auszug aus dem Pressetext zu 'Corals', Supportico Lopez, Berlin von Matthew Rana)
NATALIE HÄUSLER ist Künstlerin und Dichterin, z.Zt. wohnhaft in Berlin. Jüngste Einzelausstellungen sind: 'Der Reim / The Rhyme', Kunstverein Bielefeld, DE; 'Corals', Supportico Lopez, Berlin, DE und 'Impressionisme', Arthur Boskamp Stiftung, Hohenlockstedt, DE. Ausgewählte Gruppenausstellungen sind: 'Sighs trapped by liars – Language in Art', KM–Künstlerhaus, Halle für Kunst & Medien, Graz, AT; 'Picture the Cricket's Legs Apart', Kavi Gupta, Chicago, US: 'Poem N° 0000000000000000000000000000,9', Mendes Wood DM, São Paulo, BR und 'Speech Acts', Ausstellung & Lesung, Raven Row, London, UK. 'A Virus Can be on a Mussel or in Some Liquid […]', eine Auswahl ihrer Gedichte wurde 2014 von Mousse Publishing, Mailand, IT veröffentlicht. Weitere Texte sind erschienen in 'VierSomes 004', Veer Books, Birkbeck College’s Contemporary Poetics Research Centre (CPRC), London, UK und online bei Blackbox Manifold (No.14), University of Cambridge / University of Sheffield, UK.
am 21.06 um 19:30 in der Klasse Frances Scholz Gebäude 40/110
Vortrag von Chris Kraus
Um 19:00 Uhr
Kelly Lake Store and Other Stories ist eine Untersuchung
der Kultur des Randes von Mexicali, participant art, der
Romantisierung des Regionalismus und der Beziehung zwischen Kunst und dem wirklichen Leben. Als Schriftstellerin
und Co-Publizistin des einflußreichen unabhängigen Ver-
lags Semiotext(e), verfolgt Chris Kraus direkt die Rolle des
Autors, Kritikers und Publizisten.Selbst bevor sie über die
Kultur und ihre Grenzen schrieb, interessierte sie sich für
das, was Helen Stuhr-Rommereim den dünnen Raum nennt,
wo Kunst, Politik, Theorie und Emotionen alle mit ein-
ander verbunden sind, und weiterhin mache sie klar, dass
sie immer mit einander verbunden sein werden.