Klasse Frances Scholz

I like your hot temperature.

It makes ⎜Thank You!⎟ my internet melt.

I like your hot temperature.

It makes ⎜Thank You!⎟ WE are teenager.

I like your hot temperature.

It makes ⎜Thank You!⎟ MANY.

I like your hot temperature.

No, don't say anything now.

(Auszug aus 'Corals')

“Sex,” writes German artist and poet Natalie Häusler in her book-length poem 'Corals' “is the ecology of the poem.” Or put differently, a poem can only exist in the relationships between bodies – in the eroticism of being-together that is continually formed and transformed through language. For 'Corals', Häusler continues her investigations into the relationships between visual-art practice and the poem as a lived phenomena. Using a combination of sound, painting, sculpture and text, 'Corals' proposes an environment in which Häusler's homonymous poem can live.

(Auszug aus dem Pressetext zu 'Corals', Supportico Lopez, Berlin von Matthew Rana)

NATALIE HÄUSLER ist Künstlerin und Dichterin, z.Zt. wohnhaft in Berlin. Jüngste Einzelausstellungen sind: 'Der Reim / The Rhyme', Kunstverein Bielefeld, DE; 'Corals', Supportico Lopez, Berlin, DE und 'Impressionisme', Arthur Boskamp Stiftung, Hohenlockstedt, DE. Ausgewählte Gruppenausstellungen sind: 'Sighs trapped by liars – Language in Art', KM–Künstlerhaus, Halle für Kunst & Medien, Graz, AT; 'Picture the Cricket's Legs Apart', Kavi Gupta, Chicago, US: 'Poem N° 0000000000000000000000000000,9', Mendes Wood DM, São Paulo, BR und 'Speech Acts', Ausstellung & Lesung, Raven Row, London, UK. 'A Virus Can be on a Mussel or in Some Liquid […]', eine Auswahl ihrer Gedichte wurde 2014 von Mousse Publishing, Mailand, IT veröffentlicht. Weitere Texte sind erschienen in 'VierSomes 004', Veer Books, Birkbeck College’s Contemporary Poetics Research Centre (CPRC), London, UK und online bei Blackbox Manifold (No.14), University of Cambridge / University of Sheffield, UK.