Works

image
image
object
image
imageimageimageimage
Travel documentation/sculpture
image
imageimageimage
image
imageimageimageimageimageimageimageimageimage
painting
Eyes as a revolving door to the inside and back.
image
imageimage
sculpture
image
imageimage
object
Paper bag, strap, zipper. The inside room of the bag is filled with water and slowly seeps through the pocketwall. Exhibition view "Montagehalle" Berlin Wedding
image
reception of art, performance
image
imageimage
object
image
Painting with wiggly eyes, framed
image
image
sculpture
image
imageimageimageimage
sculpture
image
imageimageimage
moments
a selection of experiments and sculptural studies with natural materials
image
imageimage
This work was created on the basis of socio-cultural interest. The sculptural installation "cought in concepts" is a two- and three-dimensional form that deals with ideological concepts as a form of identification. Using the example of Christian religious history, I recall a page in the chapter of humanity, how group behavior and iconography behave over time.As a result of "lost in concepts" in which the focus was on the individual lay in the exercise of concepts, this variant is about the community (eg group, state, WG, scene, etc.) which is responsible with even greater consequence ,
The recesses in the places of the minds, through a playful handling; - like a saint figure - had interactive potential, have disappeared. Surrounded by an entanglement that results from the circular shape and distance, the depicted historical persons have neither mouth nor eyes.
The possibility of an individual face has disappeared and addresses issues of individual expression in structural power structures.
image
image
board
image
imageimageimage
interactive installation
This work consists of a cardboard display with photo prints of a Venetian Madonna with adult Christ child in his arms and the crucifix from the Sistine Chapel after restoration in Rome.A beeswax candle cast at the same angle could be lit. After Motto holds twice better, one can turn with the expression of a desire equal to two religious power holders at the same time.This participatory work made spiritual concepts: people bearers of holiness, for example Prophets, Objective Self, costumedesign,  communication with a Higher Self, power and projection etc. 
The mold of the candle are individual wooden panels that define the time frame with the remaining wax residues until the candle has become dimensionally stable.
audio
audio
sound-sculpture
As an artist who likes to move a lot of material short, intense pictorial poems were created. Two voices are interwoven. The form of synchronicity creates disharmony and harmony. Duplications of the smallest lutes and linguistic images lead through a rational and emotional understanding, to a density of information and acoustic impressions that leave a great deal of space for personal associations and interpretations. The poetry ensemble becomes a document of an inner state of overburdening and frustration with a poetic potential that allows the understanding of two different textures only in pieces. 
Author and speaker German (Mirjam Dorsch) and English (Keren Shalev).
image
imageimage
ceramic for ceremony ans object at SommrfestNK^2
a ceramic cup with integrated plate goes a round
with self made kombucha (a symbiotic relation between yeast and fungi
become a fermented, slightly alcoholic, lightly effervescent
green tea for health benefits )
like fungi grows in circles they integrate e.g. stones in there perimeter
 if it comes in between we also focus on the space between.
and as we pass the earth-shaped cup- we also might be aware of
stars who did not collapse into black holes.
image
object: wax, needle and thread, tape
image
imageimage
Object installation view
image
imageimage
installation view in exhibition "Telenovela"
image
performance
image
imageimageimageimage
roominstallation two canal video
image
imageimageimage
Video https://vimeo.com/253603707
image
image
intervention, orchid arrangement of the owner, nail polish: Dior 999
Sculpture project in Münster.
This replica prop from a Netflix series is both an intervention in a room that is temporarily used by different private individuals and continues to be a decoration. In its conformity in equipment and function, which is strongly reminiscent of a backdrop, this room is connected with a pop-cultural consumer behavior and questioned as an accecoir. Perhaps this plastic flower goes unnoticed, or perhaps someone perceives this poetic and minimal change and has thus received their very personal art experience.
image
imageimage
image
imageimage
three-piece placemat and intermediate and dismantling
image
imageimageimageimageimage
Mirjam Dorsch,
sound and sitting festival
image
imageimageimage
Mirjam Dorsch, Daniel Dorsch
Spatial sculpture
document
imageimageimage
sculpture
image
imageimage
installation
between realities
image
object
image
imageimageimageimage
Mirjam Dorsch, Straßenkatzen
Spatial Development
image
imageimageimageimageimageimageimageimageimageimage
Sculptures and Installations 2009-2011